I’m a fan of J-horror. I couldn’t exactly tell you why. Maybe it’s that I often find the visuals in J-horror to be really creepy. Maybe it’s that so far I’ve been lucky enough to mostly watch good ones. Maybe it’s because they’re a nice break from the zombies and serial killers that take feature roles in many North American horror flicks.
Whatever the reason, when I saw that Netflix had a new J-horror movie in its offerings, I decided to sit down and see what it was all about.
It’s worth taking a moment, before we even get into discussions of the plot, to point out the unfortunate English title. Ring of Curse. If you read that and are reminded of the hit movie, The Ring, you’re not alone. The very title starts you off with what will quickly be revealed to be a rather derivative movie, taking elements from half a dozen other successful J-horror franchises, and those are just the ones that I could spot at a glance.
For my part, the original title, Gomen nasai (generally translated as, “I’m sorry,”) is a much for fitting title when you see what the story actually is.
The movie opens with Japanese pop group Buono talking about how the idea for the movie came from a story on a cell phone novel site. Which also consists of an apology for how certain scenes may not make sense, but they wanted to portray them as close to the story as possible. It’s never a good sign when a movie starts by apologizing for the fact that it might not make any sense.
The movie then cuts to a screen filled with words of death and despair, before launching into the story. Yuka is a high school student with an interest in writing. Despite that, when it comes time to organize the school play, the task of writing the script is given to Kurohane, a very unpopular and creepy girl who only is assigned that task so that more popular students can mock and torment her about it. Kurohane knows this, but throws herself into the work anyway. However, students who read even unfinished pieces of the manuscript start to die, and Yuka seems to be the only one who believes Kurohane has cursed them through her writing.
Yuke confronts Kurohane about this, and is told that yes, the writing is cursed, but Kurohane doesn’t worry about being brought to justice because she’s dying of cancer, and her death will only make the curse stronger. Before she dies, she sends a text message to Yuka’s phone, which Yuka refuses to read as she fears the curse will kill her the way it has killed others. Each cursed victim dies by asphyxiation.
So Kurohane dies, the message goes unread, and time passes. Months later, Yuka’s friends get ahold of the cell phone and see the message, and as they begin to die off, Yuka realises the curse has lost none of its power. Nor do they know how to defeat it. All they know is that you don’t have to read the message to be curse, only to see it. People are killed one by one, and the order in which they’re killed is random.
Then comes Yuka’s “Aha!” moment when she realises that she’s being targeted because she’s the only one left. If she shows the message to others, there’s a chance Kurohane’s curse will come after them instead, since the order is random. The more people cursed, the greater her chances of survival. So she does the only thing she can think of to spread the curse far and wide.
She uploads the text message to a cell phone novel site. And begins to tell her story.
If you’re still seeing similarities to The Ring, it’s because they’re all so very obvious. A curse that spreads by people seeing a specific thing. The progenitor of that curse dying and making the curse more powerful. And the only way to save yourself is to show it to other people. It also had shades of Ju-On, some visuals that reminded me of scenes from Fatal Frame games, the whole “killing people one by one” bit seemed right out of Another, and was largely a mish-mash of J-horror tropes all rolled into one. It had 1 scene of physical violence, a few creepy images, but for the most part, had little to make it original and to stand out. It was a decent teen horror movie, but nothing spectacular.
Until you get to the meta aspect of the movie, that turns this from a “meh” movie into an amusing display of viral marketing. Again, it’s not unlike the viral marketing campaign that accompanied The Ring, where unmarked VHS tapes were left in random locations, all with the recording of the cursed video. At the end, when Yuka decides to save herself by uploading everything to a cell phone novel site, it ties back to the movie’s introduction, in which viewers were told that this movie is based on something read on a similar site. And the screen full of creepy words at the beginning were the words of Kurohane’s curse. You don’t have to read Japanese to be cursed. You just have to see the words. This was Buono’s attempt to save themselves after stumbling across Yuka’s attempt to save herself. So it’s a sly little play on viral marketing, albeit not a very original one.
This also brings me back to the issue of the movie’s title. I have to really stretch my brain to figure out how Ring of Curse can actually relate to the movie at all. Curse, sure, but Ring? Best I can come up with is that it’s a reference to how the curse works in groups, killing people one by one, so it seems almost like it’s gone in a circle by the time it comes back to you. But that is a damn stretch, and more likely the title was devised by people who wanted to cash it on the fact that The Ring is a well-known J-horror title in North America even today. Gomen nasai, however, works well not just because it’s one of Kurohane’s lines in the movie as she hands over the first version of her cursed writing, but also as an apology to the viewer. “Sorry, but by watching this, you’re now cursed.” It’s a meaning that goes beyond just trying to sound creepy.
Kurohane is a surprisingly sympathetic antagonist. Always having been unpopular and with a rather typical yurei appearance, she was made fun of a lot, until she decided to strike back by writing the word noroi (“curse”) all over a bullying classmate’s notebook. In her own blood. Hey, I never claimed she wasn’t creepy as hell. But it was from that moment on that her parents changed, neglecting her in favour of her younger sister, isolating her and generally treating her poorly, even after her cancer diagnosis. Kurohane grew up in a terrible situation, and so she turned inward until her bitterness had to have an outlet, until she stopped trying to convince herself that there was something she could do to win back her family’s love. Her vengeance against those who wronged her was brutal and out of proportion to some of the wrongs done to her, but when her background is revealed, you really can’t help but feel sorry for her.
It’s worth mentioning that if anyone else wants to watch this movie and has to rely on English subtitles… don’t expect much in the way of quality from the subtitles. Their timing is pretty decent, but there were frequent odd turns of phrase that probably came from weird translations, punctuation and capital letters went missing, and Kurohane’s name was either subtitled properly or as “Kuroha,” which made me think that there were only 2 subtitlers working on this movie and they never once spoke to each other or compared notes. The subtitles are good enough to get you through the movie and properly convey the plot, but they’re far from what I’d call good.
Is it worth watching? Eh, well, it’s an okay movie to kill an afternoon. It’s nothing special, its inspirations are blatant and many, and most of the value lies in the implications of the plot rather than the plot itself. If you’re a fan of J-horror, it’s probably worth taking a look at, though with the caveat that it’s not worth taking seriously. If J-horror isn’t something that particularly interests you, well really, you’re not going to miss anything by passing this one over.
Offscreen bonus! While watching a movie about a curse that kills people by asphyxiation, my asthma was acting up due to pollen and multiple people cutting their lawns in the area. It probably says something about me that I actually found this more ironically funny than ironically creepy.