Summary: Manhattan has many secrets. Some are older than the city itself.
The city sleeps. In the predawn calm, Selene DiSilva finds the body of a young woman washed ashore, gruesomely mutilated and wreathed in laurel. Her ancient rage returns, along with the memory of a promise she made long ago — when her name was Artemis.
Jordanna Max Brodsky’s acclaimed debut sets Greek Gods against a modern Manhattan backdrop, creating an unputdownable blend of myth and mystery.
Thoughts: I’ve had a long-running fascination with the idea of ancient deities in modern times. How do they get by? What’s left of their spheres of influence? Do some thrive while other dwindle, in accordance with changes in societal focus? Do small pockets of pagan worshipers them from dying out entirely, if their primary religions are no more? Do deities from different mythologies get along or do they clash?
Brodsky’s The Immortals addresses all of these questions except the last one, really. The novel follows Selene DiSilva, who is something of a private investigator and also punisher of men who harm their female partners. She is also Artemis, Greek goddess of the hunt and of maidens. She who has existed as a deity for untold amounts of time now exists as a not-quite-mortal woman in Manhattan, her powers dwindling slowly over time as humanity loses its connection with deities it once worshiped and feared. But Selene’s powers suddenly have a resurgence as cult-like murders begin to be uncovered, murders which hearken back to the mystery cults of old. Cults with rites that have not been performed in centuries, rites that nobody alive should even know about.
That’s the crux of the mystery in The Immortals. Who, or what, could be reviving old practices? Who would even know what to do? Why are these murders, and by extension the ritual attached to them, restoring Selene’s powers and bringing her back to the Artemis she once was? The novel doesn’t hide what‘s happening so much as why it’s happening, which to me is interesting. I admit I don’t have a great deal of experience with mystery novels, but it seems like most that I’ve read have hinged on only revealing part of what’s happening, and then some final linchpin event at the end when the who and the why is finally revealed. Here, we see pretty clearly what’s happening. There’s no mystery to that aspect. The biggest questions are who, and why.
Selene is such a wonderful character to ride on the shoulder of through this novel. She has a long and interesting history, so many experiences to draw on that make up her personality. She knows who she is, she knows who she has been, and she understands the situation she finds herself in. But given the strangeness she encounters through The Immortals, some things do change, things she did not expect to change. She finds herself increasingly attracted to a disgraced university professor who understands a good deal about the time and place when she was Artemis. The return of her powers, however limited, throws her for a loop, and honestly, gives her something of an existential crisis when she’s forced to consider that for some reason she is returning to strength while she watches other deities around her continue to diminish. Hers isn’t the only viewpoint we get through the book, but for my part, I found hers the most interesting.
I’ve noticed a number of times in recently years in which I read a book, really enjoy it, and have a moment of, “Wait, this is the author’s debut novel?!” This was the case here. Brodsky’s writing drew me in quickly, transporting me to places and times I haven’t experienced, and in a way where it was so easy to picture the scene and really get into the events occurring. She style is smooth, easy to read, and it pulled me along nicely. It was easy to fall into the “just one more chapter” mentality.
While The Immortals is part of a series, it could stand on its own perfectly well. It doesn’t end on a massive cliffhanger to attempt to bait people into buying subsequent books in order to find out what happens, and weirdly, that makes me actually want to read the other books more. I don’t have a problem with books in a series, which should be pretty evident from the number of books I’ve read and reviewed here over the years, but I’m not a fan of cliffhangers as a hook. Tell me a story, tell me a full and complete story with a satisfying ending, and I will enjoy the book. Tell me that complete story is actually part of a larger narrative, and I will be eager to return to the story’s world for its own sake, and not just to satisfy the urge to close out the story properly. If all you ever read of the Olympus Bound series is this first book, you’ll still feel like a proper story was told.
To be blunt, I wish more authors would take this approach to storytelling. As I said, it’s not that I dislike series, but I don’t like cliffhangers. That so many books end with cliffhangers to attempt to hook readers is frustrating to me. That Brodsky didn’t do this, didn’t have to do this to create a compelling world I want to come back to, is something that should be noted and lauded.
I think fans of Greek mythology will enjoy the way myth, mystery, and history all intertwine in The Immortals. It’s a fascinating mystery, it’s got a whole load of fascinating information from history and religious interpretation, and it’s hard to not get drawn into the narrative due to the great pacing and compelling story. Even if Greek mythology isn’t my all-time favourite, I’m definitely interested in reading the other books in the series, and I suspect a lot of people I know will feel the same after reading this strong debut.
(Book received in exchange for an honest review.)