Summary: An unknown planet emerges from inside a wormhole, and its discoverer, Dr. Oguro, christens the body “Remina” after his own daughter. His finding is met with great fanfare, and Remina herself rises to fame. However, the object picks up speed as it moves along in its curious course, eliminating planets and stars one after another, until finally Earth itself faces extinction… Is the girl Remina the true cause of the catastrophe? A masterwork of horror from Junji Ito, unfolding on a universal scale.
Thoughts: Ito has earned his reputation as a master of horror manga. His artwork alone can disturb and disgust, but the stories he tells linger with readers, the two combining to create a sense of unease and dread in the dark of night, memories of what was just read creeping back in to fill the hours with shuddering discomfort. There’s something about his work that never ceases to thoroughly unnerve me, whether the horror of the story is related to a dread supernatural presence or the darker side of human nature. Remina ticks all the boxes that I’ve come to expect in one of Ito’s works.
When a new planet is found, the scientist who discovered it decides to name it after his daughter, Remina. Remina is a shy woman, but finds herself thrust into the spotlight after this, becoming the darling of the media and gaining thousands of ardent fans. But the planet keeps moving ever closer to Earth, posing a threat not just with its proximity but also with its very very strange and creepy surface, and Remina the person is the one blamed for the threat, with people adamant that she, or her family, somehow summoned the planet and caused it to approach Earth. Mass panic grows as the danger looms ever nearer, and neither Remina nor her father may come out of the ordeal alive…
While the planet Remina definitely is a sinister force to be reckoned with in Remina, as it does things that planets are definitely not supposed to do, I found the greater horror to be the way people latched onto Remina the woman as a scapegoat, blaming her for all the ills befalling humanity. Now, it seemed that the planet itself was feeding into humanity’s dark side through all of that, almost feeding on the desperate fear and anger that people felt, even tricking them into approaching it with false promises of safety from the chaos happening on Earth, but frankly, no supernatural force needed to be exerted in order to get people to blame something convenient for their ills. Especially something they once loved; Remina went from a much-beloved idol to a hated pariah in short time, fans turning on her as they felt betrayed by what they assumed she did. You don’t need to bring the paranormal into it, to tell that story. We see it around us all the time, especially when crisis looms.
Remina delivers horror on two levels, and that’s not even taking into account Ito’s unique art style, which can be just as disturbing at times as the story itself. He’s particularly good at illustrating body horror and the grotesque, both of which feature here; if body horror is a trigger for you, then be cautious when approaching Ito’s work. Remina had less of that than other works, at least in terms of “the human body doing things human bodies are not meant to do,” but similar to how one of the frightening aspects of the story was the realistic aspect rather than the supernatural, there are depictions of broken and bleeding bodies in here, some of which involve characters being tortured.
If body horror and violence are not trauma triggers for you, however, and you’re in the mood for something visual and disturbing to bring additional shivers to the approaching winter season, then get your hands on a copy of Remina as soon as you can. It’s delightfully disturbing and tremendously troubling, balancing the weirdly supernatural with the weirdly mundane. It’s a story I won’t soon forget.
(Book received in exchange for an honest review.)