Summary: There is a Wild Man who lives in the deep quiet of Greenhollow, and he listens to the wood. Tobias, tethered to the forest, does not dwell on his past life, but he lives a perfectly unremarkable existence with his cottage, his cat, and his dryads.
When Greenhollow Hall acquires a handsome, intensely curious new owner in Henry Silver, everything changes. Old secrets better left buried are dug up, and Tobias is forced to reckon with his troubled past—both the green magic of the woods, and the dark things that rest in its heart.
Thoughts: This short-and-sweet novella had only been out for around a month by the time I read it, but I had heard so many positive reviews of it during that time that I’m surprised I managed to stay spoiler-free. All I knew upon starting to read was that it was very well received, and that the cover art was striking. I didn’t know what to expect when I started reading.
The story is told from the viewpoint of Tobias, a man living in the woods of Greenhollow, solitary but for his cat. And the dryads. And other forest-dwellers that humans tend to not see. And he is quite happy living alone, until Henry Silver, new owner of nearby Greenhollow Hall, stumbles across Tobias’s cabin in the middle of a rainy night, the chance meeting starting a friendship that quickly runs deep and turns to something more romantic. The relationship between Tobias and Henry is very sweet, and very enjoyable to watch develop over the course of the story, a sort of slow-burn attachment that shows great devotion and affection between the two of them, even if nothing particularly salacious happens.
Silver in the Wood deals heavily with folklore. Henry Silver presents himself as something of a folklorist, collecting and analyzing the history and stories from around Greenhollow, in precisely the way early folklorists did. The fear that the old ways and traditions were dying out, replaced by modern conventions with no room for the old ways, was a fear amongst many who studied folklore when the field was young, and those aspects needed to be collected and catalogued to prevent them from being lost to the ages. But Tobias himself is part of the folklore told in the region, the Wild Man of the wood, connected to stories hundreds of years in the making. Tesh appears to have drawn on some very common folklore elements and asked not only, “What if this was real?” but also, “How does the old fit with the new? How long can the old endure before change comes, and what happens when it does?”
Silver in the Wood may be short but it packs in quite a bit. There’s the aforementioned folklore aspects, of course. There’s the question of duty and devotion, and how much one can sacrifice before they lose too much of themselves. There’s the matter of betrayal, and the different ways it can manifest. There’s a strong undercurrent of change and evolution throughout the piece, from Tobias’s slow acceptance of company where he previously kept to himself, the way stories and places change over time, to Tobias’s eventual replacement by Henry, at least after a fashion. It’s the sort of story that, on the surface, looks like a rural fantasy with supernatural elements and a queer romance, and it is those things, but beneath the surface, it’s quite thought-provoking on a variety of subjects and thought experiments.
Written with a deft hand, Silver in the Wood is an evocative and compelling story reminiscent of a dark fairy tale, filled with hints at what lurks in the shadows beneath the trees. But also with light that shines down through the leaves, dappling the ground and inviting you to stay a while and relax. Like the forest, it is both. And like the forest, I will want to visit it again later, to re-immerse myself in the rich atmosphere that feels at once real and mundane, and also like I momentarily pulled back the veil and saw a glimpse of what lay beyond.
(Book received in exchange for an honest review.)