Summary: Drowned Country is the stunning sequel to Silver in the Wood, Emily Tesh’s lush, folkloric debut. This second volume of the Greenhollow duology once again invites readers to lose themselves in the story of Henry and Tobias, and the magic of a myth they’ve always known.
Even the Wild Man of Greenhollow can’t ignore a summons from his mother, when that mother is the indomitable Adela Silver, practical folklorist. Henry Silver does not relish what he’ll find in the grimy seaside town of Rothport, where once the ancient wood extended before it was drowned beneath the sea—a missing girl, a monster on the loose, or, worst of all, Tobias Finch, who loves him.
Thoughts: Silver in the Wood left readers with a change in stewardship within Greenhollow, the mantle passing from Tobias to Henry, with Tobias now a mortal man and free to leave the Wood. Henry hasn’t exactly taken well to his new role, though, isolating himself in his old house, which is now more of a crumbling ruin than the home he once knew, tending to the Wood mostly by forcing plants to grow when and where he wants them, regardless of the plants’ or Wood’s needs. It’s a visit from his mother that shames him (or perhaps just frustrates him) into leaving where the Wood is and going to where the Wood was, in order to help find a young woman who disappeared in the vicinity of a powerful old vampire. It turns out that Henry is more the vampire’s type than the missing woman, so his mother and Tobias mean to use Henry as bait to lure the vampire out, kill him, and rescue his victim.
I’d say that unsurprisingly, things aren’t quite what they seem, but to be honest, the twist was a bit of a surprise for me. I had settled in for a nice story involving the defeat of a vampire, and what I got instead had more to do with faeries. I can’t say that I saw that coming.
Whereas Silver in the Wood dealt largely with themes of betrayal and purpose, Drowned Country has strong themes of destructive obsession running through it. Maud’s obsession with returning to Fairyland caused problems in her mundane life, resulted in her essentially steamrolling the people sent to help her, but also positioned her to be consumed by a force that would similarly destroy anything to get what it wanted. Henry’s destructive obsession was himself, his own self-indulgence and inability to think beyond, “I am the lord of the wood and have these powers to do with it as I please.” Neither Maud nor Henry were particularly malevolent; it was more that the destructive aspect of their obsession came about because they focused on themselves, to the exclusion of all else, and couldn’t break free from that pattern of thinking to see that their actions had consequences that rippled beyond them.
That’s not to say that a person should be beholden to everyone else’s expectations, especially when those expectations are unreasonable. But there’s a certain amount of give-and-take that can be expected, and ignoring that has its consequences. Maud worried her parents, drawing strangers into the story so that she could be rescued, and her insistence that she was right while everyone else was wrong nearly got multiple people killed, just in the attempt to keep her safe. Henry’s refusal or inability to look outside himself and see that being the Wild Man of Greenhollow involved more than just sitting there and watching/making grass grow was hurting the denizens of the Wood, hurting Henry himself with his isolation and anger and grief. Obsession doesn’t always have to be destructive, but there comes a point where it can become so, where it becomes selfish and harmful, and I think Tesh did a good job of presenting different situations in which this happens.
For most of the story, the relationship between Henry and Tobias was… strained, to say the least. The two had a falling-out, and for good reason, and Henry wavered between trying to rekindle what had once been between them and then deliberately reminding himself that this wasn’t how things were anymore. I have to admit, I wasn’t too keen on that. It does get resolved more toward the end of the novella, but for much of it, I felt like it was going into, “queer people can’t be happy,” territory. Their relationship had failed, their lives would be bitter and lacking without each other, but for legitimately good reasons, trust had been spoiled and being together wasn’t an option for them anymore. And yes, that absolutely happens in relationships, both straight and queer, but it can be tiring to read so many stories where queer couples go through what seems like an inevitable breakup just to bring some tension to the mix. I do like that it was resolved eventually, but the lead-up to that resolution wasn’t exactly enjoyable to read, and I feel like it didn’t really add much to the story.
As interesting as Drowned Country was, I think I liked it less than Silver in the Wood. Partly because of the relationship issues, as I just mentioned, but also partly because in the end, the resolution felt handed to the characters. “Here, have your happy ending, regardless of the fact that you only worked for it for maybe a week, and also the thing causing friction is just gone now so you never have to worry about it again.” It would have been more interesting to see Henry properly come to grips with his new role in life, to pull himself out of his destructive spiral and actually thrive within it, or at least make his peace with it the way Tobias had. Or to take Tobias up on his offer to switch places, for Tobias to resume his role as the Wild Man since he took to it better than Henry did, and for the two of them to live happily that way. Instead, it was just, “Okay, now neither of you has to do this anymore, isn’t that great?!” It felt like a just clear way to wrap up the story, and I do know that this was intended to be a duology and not continue beyond this point, but it was far from satisfying.
I gave this book 3 stars, but if I were to give half-stars in my ratings, it would be 3.5. It wasn’t a bad story, it was well-written, and it definitely had things to say. But the relationship issues and that abrupt ending rather spoiled a lot of it for me, and I didn’t enjoy it as much as I enjoyed the previous novel. Still a good read, and I think most people who liked Silver in the Wood will also like Drowned Country, but for me, it didn’t quite reach the same heights as its predecessor.
(Book provided in exchange for an honest review.)