The Queen’s Weapons, by Anne Bishop

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Author’s website | Publisher’s website
Publication date – March 9, 2021

Summary: They are Warlord Princes, men born to serve and protect. They are the Queen’s Weapons, men born to destroy the Queen’s enemies–no matter what face that enemy wears.

Daemonar Yaslana knows how to be bossy yet supportive–traits he shares with his father, the Demon Prince, and his uncle, the High Lord of Hell. Within his generation of the family, he assumes the role of protector, supporting his sister Titian’s artistic efforts and curbing his cousin Jaenelle Saetien’s more adventurous ideas. But when a young Eyrien Queen, someone Titian thought was a friend, inflicts an emotional wound, Daemonar’s counterattack brings him under the tutelage of Witch, the Queen whose continued existence is known only to a select few.

As Daemonar is confronted by troubling changes within and around the family, he sees warnings that a taint in the Blood might be reappearing. Daemonar, along with his father and uncle, must uncover the source of a familiar evil–and Daemon Sadi, the High Lord of Hell, may be forced into making a terrible choice.

Thoughts: It’s not even close to a secret that I adore the Black Jewels novels. I love the characters, I love the world, and I often turn to these books when I’m in need of a comfort re-read. And while I definitely had some issues with the previous novel, The Queen’s Bargain (mostly in that one of the characters kept doing things she absolutely knew very well to not do), I still overall enjoyed it. And I fully expected to enjoy this latest offering in the series, The Queen’s Weapons, just as much.

The Queen’s Weapons is set a good few years after The Queen’s Bargain, with Jaenelle Saetien and Daemonar fast growing up and showing just who they’re going to be as adults. In Daemonar’s case, he’s definitely turning into the model of a Warlord Prince, very much like this father. In Jaenelle Saetien’s case… It’s a lot more complicated, as she quite frankly grows up to be quite the brat, convinced that the only way to come into her own is to rebel against very idea of her namesake, the Witch and Queen that everyone around her knew and loved. This is understandable pretty damn upsetting to Surreal and Daemon, but it only gets worse when signs emerge that the taint, once thought wiped out, has set down in Kaeleer and is starting to grow and corrupt once more.

I admit, when I first read the description of this book many months ago, I had to raise a skeptical eyebrow. In the original trilogy, it was a huge deal when Jaenelle sacrificed herself and her power to wipe out the taint that was threatening the Blood. It was a major event that wiped out most of the Blood across an entire Realm. And here it’s just, “Oh yeah, that thing. Yup, it’s back.” I was a little bit wary of how this would be handled. Not because I thought Bishop couldn’t do such a concept justice, but because I’ve seen authors, over time, wanting to write more in their beloved worlds but lacking a solid idea for a story, and so just bringing back a once-vanquished evil. Even if it made no sense.

But thankfully, it did make sense here. A reason was given for the taint’s reemergence, and that reason stands up to scrutiny. That was quite a relief!

While the Black Jewels series started off with so very much abuse and torture and things that deserve a buttload of trigger warnings, a lot of those things were absent in later books. Their echoes were still felt, of course, because one doesn’t recover from centuries of abuse, for instance, just because they’re now in a happy relationship. Scars are still there, they don’t fade so easily. But in terms of scenes of active abuse and assault? No, they faded from a lot of the text in future books, which likely made said books a bit more approachable for new readers. (Someone could read Cassidy’s duology, The Shadow Queen and Shalador’s Lady, for instance, without having read the core trilogy and without needing so many of those trigger warnings.) It’s sometimes easy to forget that the series started with a corrupt culture filled with violence and rape. And since The Queen’s Weapons deals with the taint coming back, I feel it’s worth pointing out that some of those issues do rear their ugly heads once again, and it’s worth warning people that yes, this book does contain rape, and abuse, and a very unsettling scene in which a kitten is left to die. You might well need to know that before picking it up.

And it’s with that context that we see a depiction of someone who knows very well that such things are wrong, but who has her own agenda and is willing to turn a blind eye to some things, to make excuses, if those things don’t like up with what she wants. Jaenelle Saetien clung to the wrong sort of people, convinced that they weren’t using her and weren’t malicious and weren’t behind any of the increasingly concerning instances of abuse, because she needed something that she was convinced only they could provide. She’s a character study in desperation and willful ignorance.

Much as I hate to say it, I could relate a bit to Jaenelle Saetien’s concerns about living in somebody’s shadow. It’s something I’ve had to confront in my life as well, and that I still struggle with at times, so even when I hated who she was becoming and how she was behaving, when things switched to her viewpoint and we got a look at her thoughts and emotions, I couldn’t help but remember how many times I had felt the same way. It made me reflect on how I could well have ended up the same way, someone who was willing to overlook terrible things in order to be accepted by people who had no expectations of me. There but for the grace of something-or-other, I suppose. I wouldn’t say that Jaenelle Saetien is a bad person, so much as she’s someone who could easily become so, if not handled the right way. She balanced on the edge of a very particular knife, and it took extraordinary events to determine which side of that knife she’d end up on.

I do want to take a moment to mention something in particular here. I don’t know if it was intended this way or not, but the twisted nostalgia for Hayllian items and pieces of Dorothea’s abusive rule struck me as analogous to the way some people have this weird idealized nostalgia for times past, especially when it comes to Nazi propaganda and far-right ideology. A conviction that “the right sort of people” should be in power, that it’s fine to push others down if it comparatively raises up you and yours, you see that mentality expressed a lot in people who won’t call themselves racist, no, but will express that it’s “those people” who are keeping everyone else down. There are people out there who seek out and collect Nazi memorabilia, with an eye to glorifying the Nazi regime and all of its atrocities. Atrocities, of course, against “the wrong people.” I can’t say for sure if this was Bishop’s specific intent here, but it sure read that way to me. And given that Daemon et al are the good guys of the story, the ones we’re supposed to empathize with and agree with, and they’re all vehemently against bringing back the sort of culture that brought torture and death to themselves and those they loved… Yeah, it’s not hard to see which side of the line we’re supposed to stand on.

The Queen’s Weapons addressed many of the smaller issues that I encountered in The Queen’s Bargain, which I was happy to see. Chiefly, the relationship between Surreal and Daemon. I won’t lie here — I have never been a fan of those two together. I can see why they stayed together once Jaenelle Saetien came into the picture, absolutely, but the situation that led to it… Eh, I have strong feelings about it, and I may get around to discussing them someday. Either way, a good deal of the friction in the previous novel stemmed from their relationship, and from both of them trying to be who they weren’t, especially to each other. Especially after Daemon learned of Witch’s continued presence. But the way things worked out in The Queen’s Weapons felt satisfying. It felt like they figured themselves and each other out, and were prepared to move forward with what that knowledge meant. It might not be a happy conclusion, per se, but it was a very satisfying one.

As always with these books, there’s so much that I want to say, much of which can’t be fit into a review because then it would devolve into semi-nonsensical, “Ooh, does this mean that?” and, “So siddown and lemme tell y’all my theories about this scene!” What I can say for certain is that it was wonderful to return, once again, to a world I love and characters I adore, to walk a while in the Shadow Realm and revel in Bishop’s delicious dark fantasy narrative. It was a treat to see the younger characters mature and hold their own in the story. It’s a book I absolutely will reread, and discuss at length with my partner (because we’re both huge geeks for this series). Even moreso than The Queen’s Bargain, The Queen’s Weapons is a worthy addition to the series that holds a beloved place in my life, and I can absolutely recommend it to other fans of the series.

(Book received in exchange for an honest review.)

Shalador’s Lady, by Anne Bishop

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Author’s website | Publisher’s website
Publication date – March 2, 2010

Summary: For years the Shalador people suffered the cruelties of the corrupt Queens who ruled them, forbidding their traditions, punishing those who dared show defiance, and forcing many more into hiding. And even though the refugees have found sanctuary in Dena Nehele, they have never been able to call it home.

Now that Dena Nehele has been cleansed of tainted Blood, the Rose-Jeweled Queen, Lady Cassidy, makes it her duty to restore the land and prove her ability to rule. She knows that undertaking this task will require all her heat and courage as she summons the untested power within her, a power capable of consuming her if she cannot control it.

And eve if Lady Cassidy survives her trial by fire, other dangers await. For the Black Widows see within their tangled webs vision of something coming that will change the land – and Lady Cassidy – forever.

Thoughts: Sequel to The Shadow Queen, Shalador’s Lady sounds very much like it ought to be a romance novel, like “Shalador” is some noble knight trying to woo a beautiful woman. Rather, Shalador is a significant section of the Territory of Dena Nehele, the Territory that Cassidy is ruling over for a trial period of 1 year, trying to bring the land back from the brink of destruction after so much tragedy and bloodshed. The Shalador reserves have borne more than their fair share of the troubles, and Cassidy has it in her mind to set that to rights.

Which isn’t helped at all by Theran’s continued insistence on getting in Cassidy’s way and preventing her from doing the very thing he wanted a Queen to do in the first place.

Cassidy’s road is hard enough, but then comes Kermilla, a very pretty young Queen who essentially stole Cassidy’s previous court and caused a lot of trauma and self-doubt in Cassidy. Theran takes a shine to Kermilla, wanting her to be Queen of Dena Nehele once Cassidy’s contract expires, though he is pretty much the only person who likes this idea. Everyone else, including the other members of Cassidy’s court, are against it, seeing it as the final act that would shatter the possibility of everything they hope to build for their land and people.

Much like in The Shadow Queen, Shalador’s Lady deals heavily with the subject of trauma. Cassidy’s previous experience with Kermilla and members of her old court were seriously demoralizing, and that’s putting it mildly. Cassidy has panic attacks about Kermilla’s presence, and when Theran declares his support for her, Cassidy becomes quickly convinced that her new court will leave her the same way her old court did, proving once again to her that she’s substandard and weak and unworthy. She knows that Kermilla isn’t the sort of Queen who can do what Dena Nehele needs, but her opinion won’t count for much if she’s abandoned once again. Her contract may only be for a single year, but if she’s wanted, if people accept her, she can stay and continue to rule… if she can hold onto her court and prevent them from siding with Kermilla instead.

Kermilla is one of those characters you either love to hate, or just simply hate. She’s not cruel, not the sort of person to delight in hurting others, but she doesn’t think twice about the consequences of getting what she wants, and is very certain that she deserves whatever she wants, and that combination results in her hurting others regardless of how little joy she takes in it. She’s selfish, inconsiderate, and very sure that being unattractive makes a person unsuitable to rule. Given that Cassidy isn’t exactly a classic beauty, this attitude is what caused so many problems and is at the root of much of Cassidy’s traumas.

(Which makes it extra cringey that the cover art for these novels, however beautiful, portrays Cassidy as she isn’t. Her appearance is a huge sore spot for her, and her previous court’s desire for somebody beautiful rather than somebody competent caused pain and problems. Having her appear as the exact sort of person she’s convinced could keep a court together on looks alone does a disservice to her as a character, and downplays the degree of trauma she experienced because she’s not someone who can just step into a room and dazzle all assembled.)

One of the things I adore about this book in particular is the demonstration of just how much simple kindness can mean to someone who has seen so little of it in their lives. That sounds terribly obvious, but sometimes in life we take for granted that someone just is the way others want it to be, even when that isn’t the case. Cassidy declares the music of Shalador’s people can be openly played in public, and that sounds like a simple enough thing to give permission for, but for a people who have had their culture crushed and killed over the generations, what seems like an inconsequential kindness to Cassidy has huge ramifications for the people who no longer need to guard their secrets so closely anymore, no longer need to live in fear of telling the wrong stories or singing the wrong songs.

This duology is such a comfort read for me, and I often turn to it when I’m going through a difficult time. Not just because Bishop’s writing flows so smoothly, not just because the world is so fascinating to me, but because Cassidy’s story is one of rising above the past, of overcoming traumas with the aid of loyal friends, and of the amount of change that can be found at the hands of even the least powerful when they’re willing to work hard and work together. As I mentioned in my review of The Shadow Queen, it’s really interesting to take a break from the ridiculously powerful characters and focus in on someone who’s a bit more representative of the degree of power your average Blood would have, to have a story that isn’t written about the strongest most badass in all the land but instead someone who achieves much by using what they have effectively. Maybe it’s just me, but I find that sort of story both comforting and hopeful, because it reminds me that I can do something similar. I’m pretty sure I couldn’t rule a country, but I can use what I have to affect positive change, and being reminded of that can be good when times get hard.

Fans of very dark fantasy might not find the same enjoyment in this duology as they did in the core Black Jewels trilogy, as the Cassidy duology is far more hopeful and far less violent in many ways, but for those who have taken the series into their hearts, there’s much entertainment to be found in both of these novels. Those who pick these books up first might actually be quite shocked by what they find in the series’ previous novels. The world is very much the same, still the same Realms populated by the same Blood, but the tone is quite different. Not better or worse, but different enough that it’s worth mentioning. Still, I very much think these books are worth reading, and the bittersweet triumph at the end of Shalador’s Lady is worth every second you spend buried in the pages.

The Shadow Queen, by Anne Bishop

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Author’s website | Publisher’s website
Publication date – March 3, 2009

Summary: Theran Grayhaven is the last of his line, desperate to restore the land of Dena Nehele. But first he needs to find a Queen who knows Protocol, remembers the Blood’s code of honor, and lives by the Old Ways.

Languishing in the Shadow Realm, Lady Cassidy is a Queen without a court, a castoff. But when she is chosen to rule Dena Nehele, she must convince bitter men to serve once again.

Theran’s cousin Gray is a Warlord Prince who was damaged in mind and body by the vicious Queens who once ruled Dena Nehele. Yet something about Cassidy makes him want to serve–and makes him believe he can be made whole once again.

And only Cassidy can prove to Gray–and to herself–that wounds can heal and even the whisper of a promise can be fulfilled…

Thoughts: The Black Jewels series continues to be my go-to when I need a comfort re-read, a fantasy world I can sink into like a hot bath, and yes, if you know much about me and my worldview, you’d think these would be the furthest things from comfortable. And yet, here we are. The Cassidy duology in particular, comprised of The Shadow Queen and Shalador’s Lady, are very high up on the list for me, very close to the core trilogy in terms of my enjoyment.

The duology takes place some years after the conclusion of Queen of the Darkness, the final book of the core trilogy, after Jaenelle has destroyed the taint that was destroying the Blood. The Territory of Dena Nehele has seen more than its fair share of horror, and now with no Queens suitable to rule it, Theran, last of the Grayhaven line, seeks aid from Daemon Sadi. Theran requests a Queen from Kaeleer come to rule them, a Queen who knows the Old Ways and will restore pride and stability to the Territory, somebody who will dazzle and draw strength to her and keep everything and everyone in line.

What he gets is Cassidy, a Queen without a Court, with light Jewels and thus not much magical power, a hardworking tall woman who isn’t remotely the dazzler Theran wishes for, but is the very Queen that will make or break Dena Nehele’s future. Whether it’s “make” or “break” depends on Cassidy’s spirit, and Theran’s willingness to accept what he asked for even if it isn’t what he hoped for.

The Shadow Queen has a lot in it about overcoming trauma, and similar traumas and recoveries are seen not just in newly introduced characters like Gray or Cassidy, but also in well-established ones like Daemon. Both Gray and Daemon have been deeply hurt, broken by what was inflicted upon them in their past, and sometimes those memories and emotions rise to the surface and change everything about the present. PTSD triggers, essentially, because I’m not sure there are any characters in this series who don’t have at least some degree of PTSD. Both of them also need (and have, though Gray is only just discovering this) what they need to help them start to overcome those traumas.

This book is not saying that love conquers all and will heal all wounds, but it is saying that acceptance and safety are foundational to any sort of recovery. So too is a reason to recover; we all need sufficient motivation to keep pushing onward, and since there is no universal experience with trauma, it can be easier or harder to find that motivation, depending on the person and their situation. I’ve heard a number of people talk about how unrealistic this approach is, that the book is essentially saying that you just need a romantic/sexual partner in your life in order to recover from years of torture, and for my part, I’ve never seen it that way. I’ve always seen it as expressing, well, exactly what I stated above. Especially given that part of Daemon’s foundation is his father’s love and acceptance, and his ongoing relationship with his half-brother; nothing romantic or sexual there! Gray’s recovery does hinge a lot on his desire to be a man worthy of Cassidy’s attention, but some of that also comes down to the bond between Queens and Warlord Princes, which is clearly established both in this book and other books across the Black Jewels series.

But the other strong theme in this book is central to Theran’s story, and it’s in being willing to accept what you ask for even if it’s not quite what you expect. Theran asked for a Queen who knew the Old Ways of the Blood, who was willing to work hard for the people and land of Dena Nehele, and he got exactly that. But he already had an image of what kind of Queen he wanted for his people that not only was he unwilling to accept Cassidy when she didn’t fit that image, not only was he willing to ignore that many others sided with Cassidy and were willing to work with her, but he actively prevented Cassidy from doing the very work he brought her there to do. He was convinced that everyone had the same reaction to her that he did, that the others were pretending to get along with her, that she was secretly doing harm or wouldn’t be accepted by the people, and essentially got in his own way the entire time. He was so concerned with the surface that he never took a moment to look beneath, unless he was doing so to reflect on how Cassidy didn’t measure up to the image he wanted for a Queen.

Honestly, I could go on at length about a number of things in this book, because there’s a lot to unpack. That’s what makes it so enjoyable for me, in many ways. Not only is it set in a world I adore, but it also has plenty to think about and reflect on, from trauma to the nature of dedication, to retribution and vengeance and justice, to the conflict between what needs to be done versus what people want to do. I love Cassidy as a character, and she’s exactly the sort of people I’d love to consider a friend, which is actually pretty uncommon in the books I tend to read. There are loads of characters I love to read about, plenty of characters whose stories I love to follow, but rarely do I actually encounter characters where I can say, “You know, if I met you, I think I’d like to be your friend.” The recurring characters of the series, Jaenelle and Daemon and Lucivar and Saetan? I could never be their friend. Not because they’re bad people or that they terrify me or anything like that, but because they are so far out of my league that associating with them would feel like they were pitying me just be deigning to acknowledge me. Cassidy? Nah, she feels like someone I’d get together with for tea and chats, like we could see each other on relatively equal levels.

Cassidy also provides an excellent contrast to what fans of the series will have grown used to. Most of the time, these stories are all about dark-Jeweled people with massive amounts of power and influence. Cassidy, though, has light Jewels and wouldn’t be the sort of person you’d think could have multiple novels starring her, not in this world! But the author uses this as a great opportunity to establish that innate powers and fearful influence aren’t the only ways a person can make a difference. You don’t have to be rarity to change things for the better, and you don’t have to have great strength to stand on your own. We’re all used to reading novels about the extraordinary that it’s easy to forget that some of these characters really are extraordinary, so it’s rather refreshing to see a story written about somebody who could come from anywhere, at any time, without a great fate or origin story or any of that to set them above others. Cassidy isn’t exactly the everyperson sort of character, she’s far too much of her own person for me to call her that, but she is far more representative of the Blood than characters like Daemon or Lucivar, and so there’s that inspirational aspirational aspect to her.

It’s hard for me to say that this duology could be read without having read the core trilogy first. It does recap some relevant events, and there’s the usual establishing of the rules that the Blood live by, so new readers wouldn’t find themselves completely lost, but I think the half of the story that really centres on Daemon will lose a lot of its impact and relevance without the core trilogy to provide context. I wouldn’t say it’s necessary, but I will say that you’d end up missing a lot of character motivations and connections and history, as well as reasons to really care about a lot of the recurring cast to begin with. If you enjoyed the core trilogy, though, then I have no doubt that you’ll like The Shadow Queen as well.

Ultimately, I still adore this novel every time I read it, and it always brings me comfort and happiness when I take the time to sit down with it again. It’s a familiar story to me at this point, but no less poignant every time I read it. I love the world, I love the characters, and I love the message that greatness can come from anywhere, that we are not always tethered to the traumas in our past, and that from ruin can rise a brighter future if we’re willing to put the work in. It’s not too surprising that these aspects bring me comfort in troubled times.

(Also, this book is a great example of the character on the cover not looking remotely like the character in the book. The Cassidy on the cover art is attractive, thin, classically beautiful. The Cassidy in the book is tall and big-boned and gawky and freckled. Her appearance is part of why Theran becomes something of an antagonist. It’s kind of a disservice to her very character to have her presented that way on the cover, if you ask me.)