Summary: For Diago Alvarez, that’s the choice before him. For unless he wants to see his son Rafael die, he must do the unthinkable: Help the Nazis receive the plans to the ultimate weapon.
And while Diago grows more comfortable not only with his heritage, but also with his place among Guillermo’s Los Nefilim, he is still unsure if he truly belongs amongst them.
In a frantic race to save the future of humanity, Diago is forced to rely on his daimonic nature to deceive an angel. In doing so, he discovers the birth of a modern god—one that will bring about a new world order from which no one can escape.
Review: Frohock has entertained us previously with her other two novellas in the Los Nefilim series, stories of immortal beings standing between angels and daimons, of Diago and Miquel and their relationship in 1930s Spain, and the events that surround and complicate their already complicated lives. Now the third installment of the series, The Second Death, picks up really only hours after the previous novella finished, throwing readers immediately back into the action and not giving the characters even a chance to catch their breath.
You’ve really got to feel sorry for Diago here, with his life seeming to get worse rather than better after having pledged his loyalty to Los Nefilim. Now both he and his son are kidnapped, Rafael held hostage to ensure that Diago complies with Engel’s commands to acquire a weapon that reputedly could put an end to all wars. Seeing members of Los Nefilim go rogue convinces Diago that this time he’s really on his own, that he alone must foil Engel’s plans and escape with Rafael, before the balance of divine power shifts entirely.
Action and intrigue and the names of the game here, and the pulse-pounding pace barely lets up for a second. Happily, Frohock starts off the whole thing by giving a bit of a recap on what happened previously in the series, so as short as they are (only a little over 100 pages per novella), readers don’t have to go back and do a reread to ensure they know where everyone stands. Very beneficial in a story that’s as complex and full of twists as this one, and far better than having characters awkwardly do recaps along the way.
Though to be honest, I’m not opposed to rereading such a wonderful series at any point, and the story is one that has stuck firmly in my mind since I read the first one so many months ago.
One thing that stands out to me every time is the way the power and magic works through song. The descriptions are beautiful, breathtaking, and so easy to picture and feel. Maybe this is in part because I’m somewhat musically inclined myself and I find it very easy to envision the colours of notes and the way sounds can play powerfully off each other, but mostly I think it’s a testament to Frohock’s clarity of writing. Reading her work, I rarely find an unclear scene or fuzzy descriptions. It’s so easy to get lost in such vivid writing.
I can’t be sure, but I certainly hope that the series will continue in the future. A few plot threads have been left dangling, in particular the whole situation with Moloch and Alvaro and the whole “new god” issue. I’m definitely interested in seeing how that develops and plays out. In addition, there’s also the power play going on between Principalities, divine guardians (of a sort) of different countries, which is part of what led Engel to make his move and for Garcia to be so willing to between Guillermo and follow Engel in the first place. Knowing the time and place of the story makes it easy to see parallels to the lead-up of the second World War, but adding the angels and demons and the like makes it all the more interesting, provides a different perspective and additional layers to the whole tumultuous situation, and I, for one, want to see it all play out.
Long story short, if historical dark fantasy is your thing, if you enjoy plays and twists on Judeo-Christian mythology, if you want a wonderfully complex story that demands little but delivers much, then the Los Nefilim series is one you should definitely seek out. It’s hard for me to pick my favourite, because they all have appealed to me on various levels, and I’ve enjoyed them all equally and highly. The Second Death deals more with the forgiveness than the previous two, and justice versus vengeance, neither of which come across as heavy-handed or peachy, but even if you find yourself disagreeing with the conclusions that characters arrive at, there’s no end to the dark entertainment in the pages. Most definitely recommended to fans of dark fantasy!
(Received for review.)