You know me. You know that I love Anne Bishop’s Black Jewels novels. There’s more to it than just loving the story and the characters and the world, though. I can honestly say that I wouldn’t be the same person without these books in my life. It’s thanks to them that I found a lot of courage to let my voice be heard and to not be cowed by people who saw me as weak. They helped give me the strength to not be as weak, and to find value in myself. It seems like a lot to credit these books with, but it really is true. When you read books filled with strong women, powerful women, people who are nurtured and encouraged to be the best they can be… When you spend time discussing the world of those books with those you love, when you role-play scenarios set in that world… It’s hard to not have some of that rub off on you.
Case in point, back when I could attend university, there was this guy who took the same bus as me, and no matter how much later he got to the bus stop than I did, would always deliberately make sure he got on the bus first. He had to be ahead of everybody. I would see the bus coming, and start walking to the curb, and he would always walk a little faster than me to get ahead of me. If we got there at the same time, he’d shift around and shuffle and eventually force me to take a step away to avoid him bumping into me, which gave him the opening to be first in line. It bothered me. I didn’t think he was being malicious or cruel. I just think that I was beneath his consideration, except as someone to overtake. A display of subtle dominance, a way of showing me that I was worth less than he was.
And one day, I’d had enough. Too many hours of reading the Black Jewels novels, too many evenings spent role-playing a Queen who knew damn well what she was worth and wasn’t the sort to be cowed by anything. Too much sense of sense-worth developing, too much confidence that I shouldn’t be overlooked and treated as insignificant. “Not today, puppy.” Just before the bus was due to arrive but before either of us saw it coming, I headed to the curb. Stood right at the edge. Waited patiently. By the time he saw the bus coming, he was left with three choices: stand out in the actual road in order to be ahead of me, push me out of the way, or wait his damn turn in a line like a polite human.
He chose the third option.
And he never tried that dominance shit with me again. Which makes me very sure it was a dominance thing to begin with.
Ridiculous to credit those books with my newly-emerging sense of self and value? No. Not really. Things affect us all in ways that we can’t always expect. I ended up taking some of the lessons of those books to heart. It changed me, for the better. I feel more able to not duck my head and be silent, because I so love a world where, were I there, I would be encouraged to hold it high and speak my mind.
So you might be able to understand why my jaw damn near hit the floor when I was approached with an offer of an interview with Anne Bishop, the author of these books that I hold so dear. No way in hell was I going to pass up that chance!
Now that I’m done setting the stage, let’s take a look at what she had to say in response to some of the more pressing questions on my mind.
- You’ve written a wide variety of characters in the Black Jewels novels, the good, the bad, and the terrible. Of all of them, who is your favourite to write? Similarly, who is or was your least favourite?
Pick one favorite? Really? Any day when I’m writing a scene with Daemon or Lucivar—or both—is a fun writing day. Or a sad writing day if one of them is in crisis. But scenes that have some zing in the dialogue are the best writing days. There is so much potential for getting the boyos in trouble, especially when they’re dealing with Witch or Karla. (Looking over the whole of the series, scenes with the High Lord were also good writing days.)
Least favorite to write? That’s easy. Dorothea and Hekatah.
- Daemonar steps up to the line and becomes a major player in The Queen’s Weapons. Back in the early days of the series, when you first wrote Daemonar as that little winged terror who shouldn’t be allowed in libraries, did you imagine him taking such a pivotal role in the series when he grew up?
I didn’t see him beyond who he was in each of the stories because that would have narrowed the possibilities of who he might be as he grew up. That said, Daemonar is his father’s son and his uncle’s nephew, so I had a feeling he would grow into a strong presence within the Blood’s society. And I’ve known from the beginning that Daemonar belongs to Witch in much the same way that Daemon and Lucivar belong to her. That has always had considerable influence in the shaping of who he would be.
But he still has some growing up to do, so he’s still a winged terror who boosts the adults’ blood pressure, just in a different way.
- Fans have long had many questions about various aspects of the lore in the Black Jewels novels, some of which have been answered in the books or the bonus stories on your website, but other things which go unaddressed as they weren’t pertinent to the story being told at the time. Could you ever see yourself writing supplemental material to answer some of these questions, in the same way that Fantastic Beasts and Where to Find Them and Quidditch Through the Ages did for the Harry Potter franchise?
I don’t know. There are some things I find more interesting because they are only hinted at, and other things add to the layers and textures of that world but don’t resonate strongly enough by themselves for me to want to invest the amount of time required to write a story. Then again, if the Muse grabs me and says “Write this!” I’ll write the story.
- It’s no secret that there are some truly terrible events that occur throughout the Black Jewels novels. What was the hardest scene for you to write?
There were a lot of scenes that hurt my heart, but the one that always occurs to me first is the scene in Queen of the Darkness when Daemon is in the sunken garden raging and grieving because he believes Jaenelle is gone.
- Follow-up to the previous question: which scene gave you the most joy to write?
Jaenelle and Daemon’s first wedding. The scene in The Queen’s Weapons where Daemon meets Zoey (and following that, the scene where Daemon is telling Witch about his meeting with Zoey). Any scene where Lucivar has to deal with the fact that his kids have inherited a fair amount of what makes him a pain in the butt for everyone else.
- I often find myself turning to rereads of the Black Jewels novels (and the Others novels) when I’m in need of a comfort read. What are your favourite comfort reads or rereads?
The Inspector Gamache/Three Pines series by Louise Penny and the Sebastian St. Cyr series by C.S. Harris are the two I go back to the most because I can read those stories when I’m doing first draft of my next book.
- I’m sure this has been asked a hundred and one times by now, but could you take me through a bit of your writing process? Are you a “glue your butt to a chair and write until you’ve hit a certain wordcount” sort of writer, or do you wait until the right inspiration has hit before you start, even if that means a more sporadic writing schedule?
I write five days a week, reporting to the writing desk at 9AM. If I’m drafting a new story, I aim for 1500 words a day because that’s what I need to do to produce the length of book I write in the timeframe I have. For second draft, copyedit review, and proofreading the page proofs, I divide the number of pages by the writing days I have until that particular deadline to get a daily page quota. Then I work until I meet the day’s quota. Sometimes that is four hours, sometime it’s six. Six hours is about my limit. After that, my brain is too tired to stay focused on creative work.
While those things are going on, I also have to make time for the brain to wander and look at this and that as my way of gathering ideas and material for potential stories in the future.
- Movie and TV tie-in novels can be interesting, and there are even a few book franchises that have multi-author collections of stories set in their worlds. Could you ever see a sort of “Tales of the Blood” anthology being made, or is that the sort of project that doesn’t hold much appeal?
I won’t say never. However, I have a border collie gene in my makeup, and relinquishing any control of a place that has been a part of my life for over thirty years would be very hard. And that’s not taking into consideration the amount of work that would be required to create a useful bible for someone else’s reference. A lot of what I know about the Blood and the Realms is intuitive, which wouldn’t be helpful to anyone else.
- A burning question on everyone’s minds (or at least it will be once The Queen’s Weapons releases): do kindred Black Widows have a snake tooth and venom sac? (Inquiring minds want to know!)
I’m one of those inquiring minds, but the kindred didn’t tell me. However, I would be careful around any kindred Black Widows whose race has claws. Just in case.
- Anything else you’d like to add before I stop pelting you with questions?
Stories are about conflict of one kind or another. If my story makes you laugh, makes you cry, makes you angry, makes you want to whack a character upside the head (or me for a particular scene, which is okay as long as we don’t live in the same state), then I’ve done my job because I felt all those things while I was writing the story. (Except the whack upside the head. I’m dedicated to my craft, not foolish.)
Thank you so very much for indulging this fan’s questions!
The newest novel in the Black Jewels series, The Queen’s Weapons, releases on March 9, and I highly recommend getting a copy of you’re a fan of the series. (If you haven’t checked out my review of the novel, it’s right here, along with purchase links.) Anne Bishop’s website can be found here, and contains bonus material not found in the books, which is well worth looking into!