Deep Dive! Daughter of the Blood, by Anne Bishop – Chapter 5

Welcome back to my deep dive exploration of Anne Bishop’s Black Jewels novels. This week, we’re looking at chapter 5 of the first novel, Daughter of the Blood. Trigger warning: Child abuse, sexual abuse, rape, torture.

Daemon has returned to Dorothea’s court, much to the annoyance of his cousin, Kartane SaDiablo. The two of them are not on the best terms, which is something that Kartane bitterly regrets. As a child, Kartane had been close to the older Daemon, with Daemon acting as a sort of protector and companion for Kartane. Kartane saw the kind of torture that Daemon endured as a slave, as a man who was forced to wear the Ring of Obedience, and vowed that he wouldn’t do anything to put himself in such a position.

It was with this in mind that he was forced to service his own mother in bed, submitting to her demands after she threatens to Ring him as she Ringed Daemon. This treatment continued for years, giving Kartane ample time to discover that he preferred having power over other people instead of them having power over him. He developed a taste for breaking women, raping them and robbing them of any power they may once have had or grown into.

Daemon, naturally, found out about Kartane’s activities and tore a proverbial strip off him. Kartane responded by saying he didn’t have to listen to a bastard’s words.

And with that, the friendship they had was broken.

As powerfully disturbing as this section of the book is, it’s notable for 2 things, relating to how the Blood work. The first is the description of when Blood get angry. There are two types of anger, we’re told: hot and cold. Hot anger is emotion, passion, arguments that could make or break relationships, but still superficial compared to cold anger. Cold anger is described as the anger of the Jewels, an icy violence that comes from a person’s core, their very fundamental selves.

Needless to say, Daemon is utterly terrifying when he goes cold. And he has gone that way often enough. He gets pushed too far, that one step over the edge, and that’s usually when the body count rises. Daemon went cold in the previous chapter, when he killed the witch who demanded his service after his conversation with Lucivar.

The second thing we learn is off less consequence in the story, but very much of consequence to Blood women. If a woman is broken, as we see that Surreal’s mother was in chapter 2 and what nearly happened to Surreal herself (for all intents and purposes, breaking a woman typically involves abject carelessness or malicious cruelty in taking her virginity, which pushes her past her limits and sends her crashing into her core, shattering the part of herself that gives her access to her power and Craft), she can only ever bear one child: the child of that fateful encounter. It’s a vicious system, and it seems incredibly cruel and pointless.

And honestly, it is cruel and pointless. It’s established in these books that for all that Blood society is meant to be matriarchal and women rule above men, men can still hold a lot of power over a woman, especially if she’s young and hasn’t had her Virgin Night yet. (I still figure it should be called an unVirgin Night, but that’s just me…) The kind of power men can hold has been abused, twisted out of fear, and adds to the corruption of Blood society. But that would remain true whether or not a woman who has been broken can have children in the future or not. This is some weird quirk of biology for the Blood, nature itself declaring, “It’s not like you had enough trauma in your life, so now if you ever want kids, it’s this one or none at all.”

Frankly, there’s no point to it except to attempt to tug at heartstrings and incite anger from the reader. And just as frankly, this series has plenty of material that can do those jobs even better. It’s a drop in the bucket compared to what else lies ahead in these books, and while thankfully there’s nothing in here that insinuates that women aren’t real women unless they also become mothers, this, I feel, skirts perilously close to pointless pity.


When Daemon returns to Dorothea’s mansion, he’s greeted by his mother. Or rather, by Hepsabah, the woman he spent his life thinking was his mother. He reflects for a moment on the unfairness of Hepsabah wearing a silk dress why Tersa, his real mother, wears tattered rags, and then his reflection turns to anger as he understands that, once again, Hepsabah wants Daemon in bed.

That she’s been posing as his mother the whole time hasn’t stopped her from wanting him.

If you didn’t feel bad for Daemon before, you do now. Though it’s not like Dorothea’s mansion, and the people who live within it, could ever be particularly welcoming or comfortable for Daemon, you might think that the woman pretending to be his mother for entire centuries could keep her skirts down around him. But no. Daemon is bombarded with demands even from her, demands that confused and angered him for years, and now merely anger him.

He wants to be free from Dorothea, her influence, and the Ring that is used to cause him so much pain.

And he thinks he might know a way to accomplish that.


Daemon and Kartane are going to be guests at Dorothea’s chosen entertainment that night, along with dozens of women. The entertainment? Why, a man will be castrated before their very eyes! It’s not punishment for a crime or transgression. Dorothea admits she just felt like castrating him.

They call it shaving.

Daemon affects an air of boredom, warning Kartane quietly that he more he reacts, the longer the act will take, and if they’re both lucky, they’ll only have to watch and neither of them will be shaved alongside the hapless victim Dorothea chose. It’s a message to both of them, to behave or else they might find themselves as similar entertainment some night.

Kartane reflects that the roar of approval from the crowd of women is more gleefully malicious than the roars of men he’s heard at cockfights or dogfights. Every woman there is out for the blood of a man who has done nothing wrong, save call Dorothea’s attention on him one too many times.

It’s worth taking a moment to point out here just how very sexually-driven Blood society is. The first time I read this book, it was annoying. Everything’s spear this and distaff that, sexytimes everywhere, absolutely everything coming back to sexuality or genitals. It seemed juvenile, like some scaled-up-for-adults version of a fart joke. It was so easy to forget, in a lot of ways, that the Blood aren’t like me, or you, or anybody reading these books or these posts. That excuses it to a degree, because their world, their society, differs in many ways from the society I live in. So as annoying as that focus can be sometimes, I got used to it after a while.

But with sexuality being so central to Blood life, imagine what it must mean, then, to be shaved. A full shave, as it’s terms, involves just completely cutting off the penis and testicles. Such men are called the brotherhood of the quill, so named because they must use a feather shaft to pee properly. Imagine, though, what that must mean for a Blood man. In a society so sexually driven and sexually defined, the loss of one’s genitals is appalling. You may as well equate it to literally losing your face, here. Yes, you will still be alive, but so much of what society judges you on has been lost, taken from you. It is, in some ways, akin to losing a part of your very identity.

That Dorothea and her coven would do this for horrific entertainment enrages Kartane. To him, it justifies every rape, every horrible thing he’s ever done to women, ruining them so that they can’t grow up to become the foul things that would cheerfully ruin him without a second thought. Take over and make it so that men ruled instead of women, because look at what women ruling has done.

But then, before the literal hackjob can conclude, the tortured man faints. The Healer present panics, swearing she gave him a potion to keep him awake so that he’s feel all the torture. It’s not said directly, but it’s strongly implied that Daemon skillfully and sneakily used a little of his own psychic power to knock the poor man unconscious so that he no longer had to be aware of all that was being done to him.


Dorothea threatens Daemon. She threatens him with whipping; he doesn’t much care. She threatens him with shaving, but he points out that he won’t be much good rented out as a sex slave if she did that.

And here we really get to one of the things I like most about Daemon. For all that he, well, services women… he doesn’t use his penis. Nobody has ever even seen him get an erection. For all anyone knows, he can’t. It was already previously mentioned that Dorothea is passing Daemon around from court to court, hoping that it will wear him down to the point where he submits to her in bed and she can breed him (it is so disturbing to talk about a person, even a fictional character, in this way, by the way…), but that’s not going to happen with a flaccid peenie.

But there’s more to it than just that.

“That’s why you won’t shave me, Dorothea.” His silky voice roughened with disgust. “There’s always a chance, isn’t there, that someday I’ll catch fire, that the hunger will become unbearable and I’ll come crawling to you for whatever release you’ll grant me.”

Dorothea wants Daemon to want her. The man who doesn’t seem to want anyone. She hopes, and she even begs him, and then gets angry at herself for making a fool of herself in front of him. He pushes her just a little bit further, until she orders him out.

At which point she beats her fists on the floor like a toddler throwing a tantrum.

This is another thing that really frustrated me when I was first reading Daughter of the Blood, and be honest, it still frustrates me right now. Dorothea is centuries old. She’s a grown woman. She may be a bit emotionally volatile, as a lot of people are when they have the power to do what they want on a whim, but this? It seems utterly ridiculous that she throws a flailing fit because Daemon pushes her buttons a bit.

I’ve had debates over this with other people. Some have argued that Dorothea’s emotional instability and tantrum stem from the corruption that she fostered within the Blood. Everything’s off-balance, including her, so that emotions feel more raw and heightened and she has less control over how she expresses them. Some have argued that it’s a sign of her true nature, that she’s innately selfish and childish, grasping for what she can’t have and then throwing a fit when she can’t have it.

Myself, I don’t find that either of these explanations tally with what we see of Dorothea at other moments. Even when her torture victim fainted and her “entertainment” was ruined, she merely yelled at somebody and then flounced out of the room. Immature, yes. Volatile, yes. But comparable to this? No. Remember, she’s been trying to wear Daemon down for centuries: either she’s learned some control over all that time, or else every reaction should be more of an overreaction. Instead, she acts like an emotional tyrant most of the time, only with Daemon, here, she acts like a bratty 3-year-old. It just doesn’t seem to fit, and it bothers me.


Meanwhile, Kartane decides to flee before he catches Dorothea’s attention again. Where does he decide to go? Chaillot. There’s a place set up there, a fake hospital for “high-strung aristo girls,” where he knows he can sate his darker desires without anyone telling him no…


Hekatah has learned that Saetan refurbished the Hall, and is… curious as to why she wasn’t invited back there to live. After all, when she was married to Saetan, she lived there once. And she drops hints that it would be a good idea for her to live there again, that Saetan will need a woman around, for the child she expects will live there.

She has heard of Jaenelle.

But Saetan guards his secrets. The most he admits is that he’s accepted a contract to tutor a young girl, because he’s bored and she amuses him. Truth, mostly, but it hides his true intentions and his relationship to Jaenelle well enough.

Hekatah is at the heart of all things wrong with these books, and early hints are already being dropped. She wants control of all the realms, and she’s using Dorothea, who she regains with no small degree of disdain, to weaken Terreille until Hekatah can take over. She had a hand in making sure that Saetan sired Daemon and Lucivar, and now has great leverage over all three of them with her knowledge. It was Hekatah who made sure that Saetan was denied paternity of Daemon, ensuring that Saetan played no more part in Daemon’s upbringing.

Of course, by the time that happened, it was too late, and Saetan had already exerted his influence over his son, teaching him honour and justice and all the other things that are such a pain when you’re trying to break and twist a person in order to use them however you want.

And now Hekatah might be too late again, too late to use the Dark power she’d sensed five years ago, too late to get to it before Saetan had.

But she still has options. Daemon is powerful, after all, powerful enough to potentially even stand against Saetan, and if Hekatah were to offer him 100 years of relative freedom, a century of not being made to serve, just for the minor inconvenience of killing some random little girl… Well, what man wouldn’t take such a tempting offer?

How little she knows Daemon.


Daemon returns to his room to find a naked woman in his bed.

Daemon throws her clothes, the bedclothes, the bed, and the woman into the hallway. Violently.

This one encounter was the straw that broke the camel’s back. Centuries of being used, abused, given no agency or privacy or anything but what he could painfully carve out for himself (which was usually only taken away again), has finally broken Daemon, pushed him past that line and over the edge.

Daemon has gone utterly cold. And might well be sliding into the Twisted Kingdom, losing his self and sanity after so much abuse.

Dorothea does the only thing she can do: she goes to see Hekatah. It was Hekatah who helped her maneuver Daemon where he is today, and it should be Hekatah who comes up with the solution to the problems that position has caused. Daemon has been spending the days disposing of men who cross the line and try to abuse young women, and word is spreading, and sympathy is growing for the man who will help the downtrodden. Dorothea can’t have this.

Hekatah does have a solution, fortunately. Send Daemon away. Send him to a place far away, where he can wear down a Queen who has been resistant to Hayll’s advances until now. Daemon might see it as both a punishment and a reprieve (he’ll be away from Hayll, and from Dorothea, but he’ll still be in service to somebody), and if his temper snaps and he ends up killing anyone who has been in Dorothea’s way, well, all the better.

Dorothea has just the perfect place in mind.


One comment on “Deep Dive! Daughter of the Blood, by Anne Bishop – Chapter 5

  1. Pingback: Deep Dive! Daughter of the Blood, by Anne Bishop – Chapter 7 | Bibliotropic

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