Starting off small with the prologue of the very first Black Jewels novel today. The prologue is short, and mostly serves to do a tiny little bit of setup and introduce a couple of characters.
Set long before the events in the rest of the trilogy, we see this section through the eyes of Tersa, who we’ll later come to know and love for her forthright and baffling statements. Right now, she’s the entertainment for a gathering of Blood aristos, fortune-teller, with a few tricks still up her sleeve despite being broken and separated from the powers she ought to have.
The prologue is where we first get to see hints of the true problem that plague Blood society in this trilogy, though the brief mentions it gets here are nothing compared to the reality of the situation. She establishes that Terreille has become twisted, perverted, “a mockery of everything we are,” though she doesn’t say how, or why. Just that things within Blood society have been warped out of context from what they should be.
The prologue introduces Black Widows and one of their talents, “weaving tangled webs” which can provide glimpses of the future. Prophecies on demand, so to speak, though interpreting what one sees in a tangled web isn’t always easy. Being separated from her powers after being broken (breaking will be discussed in a future post; I don’t want to have to start this whole Deep Dive series off with trigger warnings…), she can’t actually do this anymore.
Tersa states that there is a way to regain her powers, and that she has done so, but it involves surrendering to the madness of the Twisted Kingdom, something that is both euphemistic for insanity and a sort of real psychic experience that distorts the perception of the real world. Tersa never really says what, specifically, she did. Nor whether others can do the same. But it was done, and she regained the craft of the Black Widow, and in so doing, she wove a tangled web to see the coming of Witch.
Witch, a powerful legendary woman, celebrated and feared by the Blood.
Those who survive will serve.
The very concept of the Twisted Kingdom makes me wonder, though: why Kingdom. The Blood are matriarchal, and it is Queens who rule. There is no equivalent title to a Queen. There are no kings. So why a Kingdom?
Chances are the choice of words has no deeper meaning, the author just using the word to describe something that the reader would better understand. I’ve long been of the opinion that fantasy novels are often best approached like one is reading a translation. We know the characters aren’t speaking English, so what they say, what we read, are words chosen for our benefit.
However, there are words that could be used that would fit better with the world. Realm, for instance, since we see later on that Terreille is just one of three Realms (the other two being Kaeleer and Hell). Why not the Twisted Realm?
I have a theory on this, and yes, I am probably reading too much into it, but hey, that’s part of the fun of fan theories sometimes. I figure it’s the Twisted Kingdom precisely because it’s so twisted. It’s madness, it’s insanity, it’s representational and metaphorical and painful and full of despair and confusion, and given the Blood’s matriarchal nature, what better to represent that than a place named after the rule of someone who is not supposed to rule?
This implies that the word king is something connected to a concept more ancient than the Blood themselves, for the word to even exist. And honestly, there’s a conversation much later on that could support this. One of the characters later talks about his theory on how the original Blood were all female, and that males chose to follow them for strength and mutual protection, but that doesn’t mean the society and people they came from were matriarchal. A great change begat great change. It could well have been that before the Blood, there were kings. They’re just irrelevant now, the concept of them diminished and attached to madness because really, who in their right mind would let males rule anything?
(She says, bitten tongue in cheek…)
We’re also introduced to two main characters, vitally important to the story: Daemon, and Lucivar.
And if your reaction to those names is an eye-roll, I assure you, you’re not alone. When I first read these books, the names were a huge source of annoyance for me. They reminded me of a line from an episode of Buffy the Vampire Slayer:
Fortunately, the names take a bit of getting used to but they can be overlooked, even appreciated by the end. Especially given a little theory my partner and I have about these books, which I shall hopefully remember to discuss once this deep dive has concluded.
Daemon and Lucivar, two of the most powerful men in Terreille, volatile tempers always at the ready because they’re Warlord Princes, the highest caste of Blood male. They’re feared, and desired, and leashed for both reasons. They’re allies who occasionally fight just to witness the destruction they cause, because when you’re powerful and held in bondage and will live for thousands of years, well, why the hell not?
Oh, also, they’re brothers. Tersa springs this on them rather randomly, in an almost, “kthxbai,” moment before losing herself to madness, leaving two powerful men who have known each other for the better part of a millennium to suddenly figure out the implications of this.
Thanks, Tersa. Much appreciated.
We close on the hope and fear that accompanies the pronouncement that Witch is coming. Maybe not today, maybe not tomorrow, but some day.
On on that day, change will begin.