Summary: A cold-hearted assassin. A boy with a price on his head.
Rhisia Sen is one of the Empire’s highest paid assassins. Living a life of luxury, she chooses her contracts carefully, working to amass enough wealth so she can leave her bloody trade. She is offered a new contract on the outskirts of civilization, and almost refuses—until she sees the purse. It could be the last job she ever has to take.
But when she reaches the destination, she discovers her mark is a child.
The contract, and her reputation, demand she kill the boy—if she can banish his innocent face from her mind. But another assassin has been sent to kill her, and a notorious bounty hunter is on her trail. She doesn’t know why the boy is a target, or why her former employer wants her dead. Saving the child could be her only chance at survival.
Review: Rhisia Sen, better known as Rhis, is an assassin. She’s not picky about who she kills, so long as she gets paid. When she’s offered a job with an extremely high payment, one that could let her retire comfortably, she takes the chance. Until she realises that her mark is only a young boy, and that she’s reached her limit: she can’t bring herself to kill a child. So she takes the boy with her to protect him from the people who want to kill her (probably the Emperor himself, but definitely someone within the Emperor’s palace), and in so doing she has to dodge others chasing the boy, chasing her in order to kill her, and generally making her moment of compassion prove very costly indeed.
Assassin’s Charge is definitely a quick-moving book, jumping from event to event pretty smoothly and pulling the reader along with a very strong, “What happens next?” feel to it. From the early scenes where we get introduced to Rhis’s profession, to her flight with Asher, to her multiple attempts to escape pursuit and gain her freedom, the whole thing is fairly fast-paced and it makes for a quick and engaging read.
But the book does have its weaknesses, and they’re both complaints I had through the whole novel. The first is that absolutely no conclusive reason is ever given for Asher’s contract. The Emperor wants him dead. The best reasons anyone can come up with is because he might possibly be descended from a race of people that the Emperor couldn’t conquer. Maybe. There’s a lot about Asher that has no explanation, and there are a lot of hints at some larger scheme, but nothing ever actually comes of it. It was extremely frustrating, and it felt a lot like there was no reason for it. Like the only purpose to someone wanting Asher dead was to lead Rhis on this grand adventure from city to city, trying to protect him. And that felt very flimsy.
My second complaint is that it was very hard to pin Rhis down as a character. From the first dozen chapters, she feels very solid in my mind, and I know who she is and how she feels when reading her. She does her job with cool efficiency, likes her comforts, doesn’t take crap from people. Then she has her crisis on conscience and refuses to kill Asher, coming up with this plan that I still don’t fully understand the logic behind that involves taking Asher with her as leverage to get the contract against her cancelled. As she spends more time with Asher, and with Rickson later on, she changes from someone who’s done years of assassinating with a relatively clear conscience and who doesn’t mind blackmailing people into someone who feels bad that her servants might not make enough money (which is something she previously and explicitly stated she doesn’t care about), and gets teary-eyed over reunions with people she hasn’t seen for a few weeks.
And I’m not saying that people can’t ever change in response to circumstance. They absolutely can, and do. But Rhis’s transformation seemed reminiscent of numerous other stories I’ve read and seen where children awaken some sort of “caring” ability in people. Often this is done as some attempt to state that being around kids makes people want to be parents, and thankfully this didn’t seem to be the case here, but it seems like the catalyst for Rhis getting in touch with her sensitive and emotional side does seem to be protecting the kid she has little reason to protect. It does from, “I draw the line at killing kids,” to, “I have to protect this boy no matter what, and along the way I’m going to develop relationships I previously didn’t want, and go out of my way to solve a mystery that really has nothing to do with me.” The driving force behind the plot stemmed from Rhis’s desire to do these things, but there’s nothing that really shows how she developed the desire. I think it’s just meant to be taken as a given that being in someone’s presence for long enough will make you care about them, but that isn’t true for everyone, and it doesn’t seem to mesh with the Rhis we see at the beginning of the novel.
The world in which this all took place seemed fairly fleshed out and developed, though, and that was nice to see. It wasn’t all a hue voyage of discovery, either, since Rhis has been quite a few places in her time and so wasn’t about to gape at the marvels of some new city. As such, new places weren’t given grand and overblown descriptions, though the detail given is certainly enough to get a basic mental image. I felt like this was a story that took place within a world, rather than a story that partly existed only to show off the worldbuilding skills of the author, if that distinction makes any sense. The worldbuilding was there, absolutely, but it was a backdrop to the story at hand, making it seem all the more real.
Assassin’s Charge is a novel I definitely have mixed feelings about. It’s not a bad novel. The author’s writing skill is evident, and Frank knows how to write something that will keep readers turning the pages. But for all that, I’d say its biggest weakness is that despite it being a fast-paced adventure, it lacks real motivation for any of that fast-paced adventure to play out, and the motivations it does give don’t really stand up well to being poked at. It works well so long as you don’t question anything, and just take what you’re told at face value. It’s a quick fun read on the surface, and really, it doesn’t have to be any more than that, though I do prefer my novels to have a bit more depth to them, and I think that’s why this didn’t resonate so well with me.