Summary: Love something enough, and your obsession will punch holes through the laws of physics. That devotion creates unique magics: videogamemancers. Origamimancers. Culinomancers.
But when ‘mancers battle, cities tremble…
ALIYAH TSABO-DAWSON: The world’s most dangerous eight-year-old girl. Burned by a terrorist’s magic, gifted strange powers beyond measure. She’s furious that she has to hide her abilities from her friends, her teachers, even her mother – and her temper tantrums can kill.
PAUL TSABO: Bureaucromancer. Magical drug-dealer. Desperate father. He’s gone toe-to-toe with the government’s conscription squads of brain-burned Unimancers, and he’ll lie to anyone to keep Aliyah out of their hands – whether Aliyah likes it or not.
THE KING OF NEW YORK: The mysterious power player hell-bent on capturing the two of them. A man packing a private army of illegal ‘mancers.
Paul’s family is the key to keep the King’s crumbling empire afloat. But offering them paradise is the catalyst that inflames Aliyah’s deadly rebellious streak…
Review: I was intrigued by the very concept of magic when I first read Flex. The idea that someone’s obsession can be so powerful, so focused, that it can warp the universe, essentially telling reality that no, I believe so strongly that this is how things should happen that indeed it does. That the consequences of rearranging the laws of reality like that is that reality can break down and extradimensional beings can break through and cause untold havoc. I can’t say it appealed to me in the sense of wanting to be a ‘mancer like that, but I can say that, as someone who has struggled with keeping their passions and interests in check so that others don’t get bored/intimidated/weirded out because I’m not being socially appropriate, I can at least say that I can relate a little to what it might be like for someone to have something they cling to that powerfully. And from there I was drawn in.
Last time, we saw Aliyah become the youngest ‘mancer in history. We saw Paul struggle desperately to shield his family from the danger of his ‘mancy, fail to hold his marriage together, defeat and survive any number of deadly issues. This time, in The Flux, we see Aliyah a little bit older, still conflicted about her ‘mancy, trying to make sense of the world that has created her and where she fits in it. Paul, for his part, uncovers a sort of safe haven for ‘mancers, but that safe haven comes at a price, and it’s one that Valentine, at least, doesn’t really want to pay even as Paul argues that it’s best for Aliyah’s sake. The King of New York has his own agenda, one that often intersects with Paul’s desires, and it’s plot twist after plot twist as the story unfolds and everybody suffers along the way.
Everything I liked about Flexis back in The Flux. Valentine is still a kick-ass awesome woman who doesn’t need to be model-thin to be that way, perfectly at home with her kinky sexual expression, a friend to Paul and mentor to Aliyah, and I love her to death because she’s the kind of character SFF needs more of. Paul is still a devoted father who doesn’t do things perfectly and makes frequent mistakes, but he tries to make amends and does what he thinks is best even when it’s a hard call. Aliyah goes through moment of being far too bratty and then far too insightful, but I also admit that’s what happens when you have a troubled kid who has plenty of evidence that the world really is out to get her, who has powers that are hard to control, and when the only person to give her what she wants is a psychopathic pyromancer. I’d be bratty myself, no matter what my age, if all that was heaped on me.
Steinmetz is very good at writing a believable reality that you fall into. Whether it’s through the little name-drops of brands to centre a reader on familiar things in the world, to characters that tug at your heartstrings (who didn’t feel emotion at reading Paul’s attempt to leave Aliyah for her own safety, or at the fate of K-Dash and Quaysean?), it all feels so very real. There’s more to realism than just a high level of detail and clear descriptions, and Steinmetz knows how to bring it all together to create a strong world that readers care about. It’s been a long time since I’ve read an urban fantasy that I want to share with people as much as the world that has ‘mancers in it.
Speaking of emotion, really, The Flux has it in spades. It’s an emotional roller coaster from beginning to end, mostly thanks to Aliyah’s development. Aliyah starts off with her continuing love/hate relationship for ‘mancy, which turns into disdain for those who can’t do ‘mancy and thus, to her mind, will never understand her and she won’t understand them, to being angry at her father for all the times he needs to be saved. But the real heartache for me was seeing Aliyah’s relationship to Imani, her mother. Aliyah craves her mother’s love and attention in the same way most young children do, but at the same time is truly afraid that if Imani discovers Aliyah is a ‘mancer, Imani will want to kill her. And given some thoughtless comments that Imani or David made in the past, her fear isn’t an overreaction. It’s heartbreaking to see that kind of conflict in anyone, let alone such a young child.
The story in The Flux feels like it’s got a bit of second-book syndrome. It is a complete story in its own right, a good continuation of the events in Flex, but it feels more like an interlude, the necessary setup and establishment for things that need to happen in the third book later. There was plenty of tension, great pacing, the snappy dialogue I love so much, but a lot of it felt like a book in which this character gets introduced, that realization occurs, to prop up a novel to come. This doesn’t make it a bad book — far from it! — but it does make it feel less important than the first novel, by far.
But I’m in love with the world that Steinmetz has created, and the characters within it, and the overarching story in this series so far is pulling me along at breakneck speed and I don’t want to stop. It’s a wonderfully creative take on magic, has a weird and varied cast of characters, and I can’t wait to dive into Fix to continue the story!
(Received for review from the publisher.)